UC Berkeley's Department of Theater, Dance, and Performance Studies presents:

SHE KILLS MONSTERS

By Qui Nguyen
Directed by Karina Gutiérrez

November 20-23, 2025
Zellerbach Playhouse


Content Advisories

Trigger Warnings: This show features discussions & portrayals of death, grief, and homophobia, as well as mature language, sexual content, staged violence, and the use of a homophobic slur.

Sensitivities: Flashing Lights & Projections


In This Program

Director's Note

Dramaturg's Note

Artist Bios

Up Next at TDPS

Give to TDPS


Director's Note

How do you mourn someone through remnants? Is it possible to slay a monster named grief?

Qui Nguyen's She Kills Monsters tells a story of identity, loss, and the worlds we create when the real one feels too small to hold us. The real world can be a bully. And fifteen-year-old Tilly's final campaign serves as a fortress, illuminating how queerness is joyful, how difference is the ultimate flex, and how the world can be accessible to all. In fact, what Dungeons and Dragons and other RPGs teach us is that character sheets are blueprints for possibility, and the adventures allow us to try on identities, fail safely, rewrite the rules, and imagine better versions of ourselves. To some, this is a method of escapism; to others, it is an act of defiance and a rehearsal to confront the world of the "real."

Truth is, we are all always writing stories. Some authors will try to dictate who gets to exist freely and whose narratives get erased. The monsters we individually and collectively battle are not always of flesh, fear, or grief. Sometimes monsters take the shape of dehumanizing ideologies and policies that seek to target historically marginalized groups. In any case, stories are legacies. Inheritances. They survive us.

What do our loose-leaf stories amount to in the hands of others? As Tilly Evans reminds us, "...isn't that essentially all that life is–a collection of stories?" Not all monsters can be slayed; some are simply kept at bay. She Kills Monsters reminds us that this adventure we call life is truly ours, that grief and love often share the same path, and that sometimes, in order to heal, we must pick up the sword and "roll for initiative."

Welcome, Adventurers, to New Landia! We are so thrilled you are here.

A headshot of Karina Gutiérrez, she is wearing red frame glasses, red earrings, and a black sweater.

Karina Gutiérrez, Director


Dramaturg's Note

Historically, Dungeons & Dragons hails from the generic evolution of fantasy literature from fantasy’s fairytale, folkloric, and mythological ancestors, and D&D contributes to the immeasurable impact fantasy literature and media has had on global culture. In the last ten years, D&D has exploded in international popularity, but the heart and soul of this beloved game remains eternal: a place to simultaneously be ourselves while exploring entirely new identities. It’s a place where disabled people, myself included, can simply be our differently-abled and/or neurodivergent selves while likewise enjoying the opportunity to be charmingly charismatic, insanely strong, or dexterously coordinated.  In the heart of the American 90s (during which era our play takes place), securing a sanctuary to celebrate one’s disability, “sample” different capabilities, or openly share one’s queer identity was intensely desired and, when found, fiercely protected. Reflecting this, She Kills Monsters intertwines D&D’s iconic fictional elements with very intimate themes—tense social conflict, family bonds, grief and mourning, closeted sexuality, and fun memories made not just with friends but with a found family. D&D continues to offer this safe space to just BE. Naturally, however, not every D&D player is equally welcoming, and we all have our horror stories to share or shudder about; this reality even resonates with Agnes’s acclimation to how this game operates and what she learns about her sister. Nonetheless, every contentious group and negative experience propels us one step closer to finding our found family and embarking on some unforgettable adventures. I am honored to channel my academic pursuits towards this beautiful, collaborative production celebrating a game quite dear to my identity and heart. So, why this show, and why now? Because right now, perhaps more than ever, we could all use a little kick-ass magic and a safe place to just BE.

–Taylor Barnes, Dramaturg & Cultural Consulant


Cast

Image of Alethea DeLay, she is wearing a black top and holding a flower.

Alethea DeLay

Alethea DeLay is a 2nd year TDPS major. She’s so happy to be in her first TDPS show. Alethea recently performed in Untitled Theater’s The Forest, and Raven and the Swan, as well as Les Miserables (Enjolras) and Addams Family (Morticia). She is also a teaching artist at Berkeley Playhouse, where she is currently directing KidStage Annie. She sends love and gratitude to her family: обичам ви! She hopes the monsters you fight don’t win.

A headshot of Anita Semsarha, she is smiling and wearing a brown and white top.

Anita Semsarha

Anita Semsarha (she/her) is a 4th year TDPS and French double major. She is very happy to be performing in her first TDPS production! She transferred last year from Moorpark College, where she performed in various theatrical productions, including Jesus Christ Superstar and the student one act Famous Last Words. She wants to dedicate this performance to her parents and sister (همه شما را دوست دارم). She hopes that you all enjoy the show and embrace the qualities that make you different! :)

A headshot of Wilhelm Scholz wearing a yellow button down.

Wilhelm Scholz

Wilhelm Scholz (he/him) is a fourth-year Media Studies major and TDPS minor. While this is his first full TDPS production, he’s been in student plays including Untitled Theater’s Arsenic and Old Lace (Reverand Dr Harper), Evergreen Productions’ Into the Unknown (Narrator/Frog), and Barestage Productions’ Rosencrantz and Guildenstern are Dead (Fortinbras). He runs the Screen Actors Guild for CAP Studios, and is (of course) the Dungeon Master for his own D&D game. He hopes you have yourself a super day!

A headshot of Lainie Beamer who is wearing a white top with black polka dots and smiling.

Lainie Beamer

Lainie Beamer (she/her) is a Theater & Performance Studies major who is overjoyed to be in her first Berkeley show! She graduated from The Bishop’s School in La Jolla, California, where she was an actor in multiple productions, including Hamlet (Ophelia), Marian, or the True Tale of Robin Hood (Marian/Robin), and The Mystery of Edwin Drood (Rosa Bud). She wants to thank her family for always supporting her.

A headshot of Joshua Delman, he is wearing a white shirt and looking straight into the camera.

Joshua Delman

Joshua Delman is a fourth year history major at Cal, and is thrilled to be in his first TDPS production! Previously you could have seen him in the original musical Raven and the Swan (King Raul), Peter and the Starcatcher (Smee), and the Diviners (Ferris Layman). When Joshua isn’t nerding out about history or pouring his heart out on the stage, you can find him trying to work on multiple film projects at the same time. He would like to thank everyone who worked on the production to bring this powerful story to life!

A headshot of Maree Denvers wearing a faux fur top.

Maree Denvers

Maree Denvers (she/her) dedicates her performance as Lilith/Lily to all the gay nerd baddies around the world. She extends heartfelt gratitude to Nicki Minaj and Hayley Kiyoko, whose artistry and authenticity helped shape not only her portrayal of this role, but have also inspired the confidence for her—and many others—to live unapologetically as themselves. 

A headshot of Belle Ramos who is wearing a black top and looking directly into the camera.

Belle Ramos

A headshot of Broderick Dempsey, he is looking into the camera and wearing a white shirt, black, red, and white leather jacket, and a silver necklace.

Broderick Dempsey

Broderick Dempsey (he/him) is a third-year Theater & Performance Studies major at UC Berkeley and an incoming transfer student from College of the Canyons in Los Angeles. In addition to his work in film, he has performed in and contributed to multiple stage productions at College of the Canyons, including The Odyssey and 9 to 5. He is thrilled to be making his Berkeley debut and grateful to be collaborating with such a talented team. He dedicates this performance to his mother, whose love and encouragement have motivated him every step of the way.

A headshot of Sarah Avalos, she is wearing a black top and looking into the camera.

Sarah Denise Avalos

Sarah Denise Avalos (she/her) is a senior majoring in English with a minor in Theatre and Performance Studies. She is thrilled to perform in her second TDPS production, having previously appeared as Belmira in The River Bride, also directed by Karina Gutiérrez. She dedicates this performance to her supportive parents, inspiring siblings, and the incredible director, cast, crew, and creative team who made this experience so meaningful as she concludes her Berkeley journey.

A headshot of Chayenne Greenberg, she is wearing a black top and looking directly into the camera.

Chayenne Greenberg

Chayenne Greenberg (she/her) is a 4th-year Theatre and Performance Studies Major and is super excited to be in her first TDPS production! Prior to coming to Berkeley, she has performed improv and sketch comedy at the Soho Playhouse, Brooklyn Comedy Collective, and People’s Improv Theater in NYC! Her most recent Bay Area stage credits include Los Altos Stage Company’s Cyrano De Bergerac (ENSEMBLE), Foothill College’s Five Women Wearing the Same Dress (FRANCIS), and GIFT Theatre’s The Mousetrap (MRS BOYLE). Chayenne dedicates this show to her younger sister Emily, who taught her how to fight monsters big and small.

A headshot of Tiber Ray, he is wearing a red sweater and looking into the camera.

Tiber Ray

Tiber Ray (he/him) is a 3rd year Data Science major and TDPS minor. While primarily an on-screen and commercial actor, he was thrilled to be introduced to the world of theater during high school. His high school stage credits include Little Shop of Horrors (Seymour), The Play That Goes Wrong (The Inspector), and The Lightning Thief (Poseidon). He is excited to join his fellow castmates for his first TDPS production and thanks his family for their continued love and support.

A headshot of Wesley Leung, he is wearing a black coat and looking directly into the camera.

Wesley Leung

Wesley Leung (he/him) is an aspiring voice actor and fourth-year TDPS major. We are excited to integrate his artistic ambitions and have him voice the variety of monstrous sounds for the show. This is his first major live theater production as an actor, and we are pleased TDPS is able to provide this experience! Wesley is no stranger to taking a beating for an audience, as he was one of the stuntmen for Cal Bafa’s recent project: The Nicest Terrible Thing. Wesley hopes you enjoy the show and remember to take care of yourself.


Student Production Team

Please note that bios are not available for all members of the production team. Refer to the printed program for a full list of production credits.

Helen Beyer

Assistant Director

Helen Beyer is a senior Theater & Performance Studies major who is so thankful to be part of bringing the world of New Landia to life as an assistant director. As a long-time “passionate constructionalist” when it comes to D&D, she is so excited for the reflexive potential of TTRPG’s to be brought to a wider audience. Previous directing credits include Much Ado: A Folk Adaptation and Into the Unknown - which you can find at her production company’s instagram; evergreen_productions_.

Sarine Baronian

Assistant Stage Manager

Sarine Baronian (she/her) is a third year double majoring in Rhetoric and Theater & Performance Studies. She is super excited to be working on her first ever TDPS production as an Assistant Stage Manager, and hopes you all enjoy this wild show!

Saul Conde

Hair & Makeup Assistant and Wardrobe Crew

Saul Conde’s experience comes from several years of drag practice and makeup classes. In addition to being a designer, he is also an actor, director and performing drag queen (stage name Heather Ivón). For more credits, upcoming projects and makeup looks, Conde can be found on Instagram at @saul_onstage and @hausofivon.


Faculty Creative Team

Karina Gutiérrez

Director

Karina Gutiérrez (She/Her) is a Bay Area-based director, dramaturg, and scholar. She is passionate about supporting new play development, fostering local artists, and creating welcoming, equitable, and accessible theatre spaces and classrooms. She considers theatre a powerful space for social change and the mending, healing, and restoring of communities. 

As a director and dramaturg, Karina has had the pleasure of working with Bay Area Children’s Theatre, BRAVA, Magic Theatre, Crowded Fire, Huntington Theatre, Marin Theatre, PlayGround, Playwright’s Foundation, Shotgun Players, Stanford University, TheatreFirst, Townhall Theatre, UC Berkeley, West Edge Opera, and Word for Word. She is additionally a member of the Latinx Theatre Commons Steering Committee, a board member at Theatre Bay Area and Crowded Fire Theatre.

Karina received her Ph.D. in Theatre and Performance Studies from Stanford University, where she was awarded the Carl Weber Prize for integration of Creative Practice and Scholarly Research. Her scholarship concentrates on the intersection of politics and performance, specifically how digital interventions, institutionalization efforts, and historical narrative affect the development and sustainability of social and politically engaged performance companies and collectives in the Americas.

Arnel Sancianco

Scenic Designer

Arnel Sancianco (Scenic Designer) is an award-winning Scenic Designer with a nationally recognized portfolio. His credits include productions at La Jolla Playhouse, The Old Globe, Oregon Shakespeare Festival, The Muny, The Huntington, Goodman Theatre, Denver Center for the Performing Arts, Steppenwolf Theatre Company, The Kennedy Center, Theatreworks Silicon Valley, Woolly Mammoth, Writers Theatre, Repertory Theatre of St. Louis, Arizona Theatre Company, Court Theatre, American Players Theatre, Milwaukee Rep. For an in-depth look at his work visit ArnelDesigns.com 

Dominique Fawn Hill

Costume Designer

Dominique Fawn Hill is a costume designer/fabric-composer that merges an everlasting dance between ​Faith, Texture, Image, and Purpose. Her belief in Jesus Christ and her hometown Bronx, NY, have over the years instilled in her glam, grit, and the willingness to always look at the world through an empathetic lens. She finds the psychological nature of costume design invigorating and sublime. It is her belief that in order to truly understand design; one has to understand the nature of the imperfect human condition. Her designs include world premieres of plays and musicals produced at major venues such as The Public Theatre, Playwright’s Horizons, Ford’s Theatre in Washington DC, The Geffen Playhouse, and the Chautauqua Theatre Company. Her theatre credits include the Broadway production of Fat Ham (Tony Award and Lucille Lortel nominations) and Off-Broadway productions of Tambo & Bones (Lucille Lortel nomination), Fat Ham (Obie Award), Where the Mountain Meets the Sea (Manhattan Theatre Club), The Dark Girl Chronicles (The Shed), and 125th & FREEdom (National Black Theatre). Dominique obtained her M.F.A. from the University of California, San Diego.

Ray Oppenheimer

Lighting Designer

Ray is a lighting designer, educator, scenographer, technologist, and creator who has been bringing his boundless curiosity, chimerical aesthetic, and Sisyphean perseverance to performance design and education since 2005. Ray graduated with a Master of Fine Arts in Theatre Arts with an emphasis in lighting design from San Francisco State University in the Fall of 2017. He also is an active company member with Mugwumpin and Shotgun Players.

Jessica Berman Hirigoyen

Voice Coach

Jessica Berman Hirigoyen is a Continuing Lecturer at UC Berkeley (Acting, Voice & Speech) and a Dialect, Voice, and Text Coach. Recent coaching credits include Dead Man Walking (San Francisco Opera), Harry Clarke and The Thing about Jellyfish (Berkeley Rep), A Whynot Christmas Carol (A.C.T.), As You Like It (Cal Shakes), and Harry Potter and the Cursed Child (The Curran). MA from the Royal Birmingham Conservatoire, MFA from the Royal Central School of Speech and Drama.


Staff & Faculty Production Team

Please note that bios are not available for all members of the production team. Refer to the printed program for a full list of production credits.

Jamila Cobham

Production Manager

Jamila is a production manager and event producer with experience working in the United States and the Caribbean. Previously, she was the Production Manager for Cal Shakes (California Shakespeare Theater) where she managed numerous classics, as well as new works, that presented a diverse range of perspectives. Jamila was also the Interim Production Manager for Magic Theatre; freelance Stage Manager for FieldTech Staging Solutions Inc; Event Planner for Barbados' National Cultural Foundation; and Interim Theater Manager and Stage Manager for The Errol Barrow Center for Creative Imagination (EBCCI). Jamila holds an MFA in Production Technology and Management from Carnegie Mellon University and a BA in Psychology from The University of the West Indies, Cave Hill Campus. 

Rebecca J. Ennals

Stage Management Advisor

Rebecca J. Ennals (she/her) spent 21 seasons on the staff of San Francisco Shakespeare Festival, including 10 seasons as Artistic Director, where she oversaw all aspects of production, education, and artistic programming. She currently works as a producer, Equity stage manager, director, educator, and community engagement facilitator for A.C.T. She is passionate about the role of the stage manager in co-creating collaborative and supportive cultures in which diverse theater-makers can thrive. Her interests include free civic theater, increasing access to the arts, and environmentally responsible theater-making in the time of climate crisis. Ennals holds an M.F.A. from UC Davis and a B.A. from Scripps College and is a graduate of Directors’ Lab West. She was born and raised in the South Bay and now lives in San Francisco with her partner, two young children, and two perfect kittens.

Robin Maegawa 

Technical Director

Robin Maegawa (They/Them) is the Technical Director for TDPS. They are a graduate of the USC School of Dramatic Arts, holding a BFA in technical direction. They have previously worked as a freelance carpenter and props artisan at Berkeley Repertory Theatre, and assistant prop shop manager at American Conservatory Theater in San Francisco.

Tim Kopra 

Scene Shop Supervisor & Lead Carpenter

Tim Kopra is the Scene Shop Supervisor and Lead Carpenter for TDPS. He is an artist and educator living and working in Oakland, California. Tim received his MFA from San Francisco Art Institute in 2015. Since then he has continued an interdisciplinary art practice investigating, and often collaborating, with the architectural and natural landscapes of the Western United States. Tim has fabricated large scale works and led sculptural immersive experiences throughout California, most notably with MORE Lab, Cathartic Productions, LAME Arts, and Gordon Huether Studio. He has been exhibiting internationally since 2009, notably at Gallerie Califa in the Czech Republic, Fort Mason Center in San Francisco, Aggregate Space Gallery Oakland, Robert Blitzer Gallery Santa Cruz, and Mills College Art Museum.

Zoë Casey

Scenic Artist

Zoë started her theatrical career at a young age, performing and creating for family plays. Her first design work was helping her mother to make props and costumes for her family performance in the Commedia Dell'arte show at the Renaissance Faire. She continued her theater studies at Concordia University’s design and production program in Montreal, where she did her first scenic painting. Creating the sets for her shows in university inspired her to go to grad school at California Institute of the Arts, where she specialized in scenic art. She then worked as a scenic artist in television, film, and theater in Los Angeles before settling in the Bay Area. She has worked on hundreds of productions at theaters all around the Bay, and has learned how to bike with several roller poles and buckets and not crash (well... not often).

Properties Director

Peet Cocke 

Peet Cocke is a director, playwright, and designer. His recent directing credits include Adam Esquenazi Douglas’s Pinned Butterfly, Susan Sobeloff’s Jubilee, and Naomi Wallace’s No Such Cold Thing. His original plays include Crush and HumExtraordinary Mysteries, Even at A Funeral, a movement piece, Already Done to You, and original adaptation of the novel Voices, by Ursula Le Guin, entitled Through the Glass Darkly. His scenic and lighting design work includes Peter and the Starcatcher, Silent SkyThe Three MusketeersFete de la NuitRomeo and JulietA Midsummer Nights Dream, and Gruesome Playground Injuries. For more information visit peetsbrain.com

Denise Umland

Costume Director

Denise Umland started her career over 30 years ago working as a stitcher in the Maryland/DC area for Theater on the Hill’s summer stock, and costume designed and shop managed at McDaniel and Goucher Colleges. She then started working as an over hire at Olney Theatre Center for the Arts (Olney, MD) and quickly moved up to Assistant Costume Shop Manager, then to Costume Shop Manager, and eventually becoming Costume Shop Manager at Round House Theatre (Bethesda, MD) and Signature Theatre (Arlington, VA). Denise has worked several seasons as Assistant Costume Shop Manager and First Hand at Wolf Trap Opera Company, and First Hand/Stitcher at Sarasota Opera and was Costume Director at Florida Grand Opera (Miami, FL). Denise has also served as Wardrobe Supervisor for two Nutcrackers, the first being Olney Ballet School using the costumes from the Washington National Ballet’s Mary Day’s costumes, and more recently, the Santa Barbara Festival Ballet which employs several principal dancers from the San Francisco Ballet and the Dance Theater of Harlem. In the Baltimore/DC metro area, Denise was a costume designer working at many of the smaller theaters as well as a company member of Faction of Fools, a commedia dell’arte company in residence at Gallaudet University who casts Deaf students with professional actors (some of her favorite designs were for HamlecchioOur Town, and A Christmas Carol).

Aurie Stetzel

Lead Costume Shop Technician

Aurie Stetzel holds a Master’s of Fine Arts in Sustainable Fashion Design from UC Davis and a Bachelor’s of Science in Apparel Design and Merchandising with an emphasis in Costume Design from San Francisco State University. Aurie has over eight years of professional experience in costume design, working extensively with theater companies across the Bay Area, though her passion and practice of costume design has been lifelong. Following her work on the feature film Fairyland (released 2023), she took on various stitching and wardrobe roles at the Orpheum, Curran and Golden Gate Theaters for Broadway SF. From 2022-2024, Aurie served as the lead stitcher at the San Francisco Ballet, and continued her costume work at the San Francisco Opera and Broadway San Jose. Aurie designed shows for Playground Theatre and served as lead stitcher for Marin Theatre Company for the 2024-2025 season. Some of the other theatres for which she’s done design, building, stitching and wardrobe from 2017 onward include Aurora Theatre, California Shakespeare Theatre, Crowded Fire Theatre, Lamplighters Theatre, and more. A long-standing member of IATSE Local 784, she has worked extensively as a designer, costume builder, stitcher, and dresser, and has years of custom design experience for independent clients and arthouse projects.

Ethan Schmidt

Production A/V Engineer

Ethan Schmidt is a sound technician and dungeon crawler who has been with Cal Performances since 2021. Before coming to the Bay Area, they were the Audio Department Head for the Morrison Center (Boise, ID), working alongside touring productions of Les Misérables, The Play That Goes Wrong, Waitress, and more. They have worked with Josh Ritter, Kristin Chenoweth, Angélique Kidjo, William Kentridge, and many other artists over the years. She Kills Monsters will be their fifth production with TDPS.

Dio Ramirez

Theater Production Supervisor & Lead Lighting Electrician

Dio Ramirez (they/them) is the Theater Production Supervisor and Lead Lighting Electrician. They began their theater career at Cal (TDPS 2015). They worked as a freelance lighting technician and light board programmer for venues across the Bay Area, including: BerkeleyRep, Calshakes, SF Playhouse, Smuin Ballet, and Marin Theater Company. 


Guest Artists

Dave Maier

Fight Director

Dave is an award-winning fight director with over 300 professional credits. He is in residence at SF Opera, Marin Shakespeare Theatre, and Oakland Theatre Project. Recent credits include Private Lives (ACT), The Handmaid’s Tale (SF Opera), The Untime (Marin Shakespeare Theatre), and As You Like It (Cal Shakes). Dave is also an instructor of theatrical combat, who teaches classes at UC Santa Cruz, Studio ACT, Berkeley Rep School of Theatre, SF Conservatory of Music, and Dueling Arts San Francisco.

Jeunée Simon

Intimacy Choreographer

Jeunée is an actor, director, and intimacy choreographer based in the Bay Area. She has worked with Aurora Theatre Company, Berkeley Repertory Theatre, American Conservatory Theater, TheatreFIRST, and more. Simon is a proud recipient of the 2017 RHE Artistic Fellowship. She is a believer the collaborative nature of original plays and has been honored to be part of the new and emerging work being developed in the Bay Area. She is a graduate of Stanford University's drama program and has trained with Intimacy Directors and Coordinators and Intimacy Coordinators of Color.

Carlos-Antonio Aceves 

Projections Designer

Carlos-Antonio is a multidisciplinary Designer and Theater Maker whose practice focuses on new plays. Selected projection and scenic design credits include: Dream Hou$e, Shotgun Players; Justice, Marin Theatre Company; Cruzar la Cara de la Luna, West Edge Opera; Where Did We Sit On The Bus?, The Liberty Theatre Company; Carrie: The Musical (Projection Design), American Conservatory Theater Young Conservatory. Selected scenic design credits include: The Boiling, The Magic Theatre; Returning to Haifam, Golden Thread Productions; The Day The Sky Turned Orange, SFBATCO and Z Space; Yaga, Marin Theatre Company; The Displaced, Crowded Fire Theatre; Gary: A Sequel to Titus Andronicus, Oakland Theatre Project; BREAKDOWN, San Francisco Mime Troupe; PrEP Play or Blue Parachute, New Conservatory Theatre Center; Cyrano, Aurora Theatre Company; and Hedwig and the Angry Inch, Shotgun Players. Carlos-Antonio extends his gratitude to the creative and production team of She Kills Monsters, and thanks them for their efforts. Explore more of Carlos-Antonio’s past and upcoming work at: CarlosDesignsSets.myportfolio.com


Up Next at TDPS

Fall Choreography Showcase

Directed by Latanya d. Tigner

December 10-12, 2025
Zellerbach Hall • Room 7

This annual showcase features student-created solos and duets representing a diverse range of movement styles, influences, and ideas. Dancers who are cast will work with one or more choreographers to set a new work throughout the semester, culminating in two public performances.


Give to TDPS

UC Berkeley has been at the forefront of performance training and research for more than 80 years. Your support of Theater, Dance, and Performance Studies (TDPS) enables us to continue this tradition by offering first-rate classes in acting, dance, theatrical design, production, and performance studies; inviting renowned artists and scholars for lectures and master classes; presenting high-quality, affordable performances to the public; and advancing the research of our students and faculty.

Please consider giving to TDPS to support the next generation of artists, scholars, and theater technicians. Thank you!

Give to TDPS online or learn more by emailing lsgiving@berkeley.edu