Roshanak Kheshti is an anthropologist, feminist, queer and race theorist, born in Tehran, Iran, and raised in Nashville, Tennessee. Her work sits at the intersection of sound, the senses, film and performance studies with an emphasis on diaspora and psychoanalysis. She is the author of Modernity’s Ear: Listening to Race and Gender in World Music (NYU Press, 2015) and Switched-on Bach (Bloomsbury Academic, 33 1/3, 2019). She is currently completing her third book, tentatively titled “We See with the Skin: Zora Neale Hurston’s Synesthetic Hermeneutics”. She has previously published in the Radical History Review, American Quarterly, Current Musicology, Feminist Media Histories, Hypatia, Feminist Studies, GLQ, Theater Survey, and Sounding Out!
Education: Ph.D. in Cultural Anthropology, University of California, Santa Cruz